La mémoire désidentifiante.

Dominique Belkis et Michel Peroni | 09.06.2015
This article discusses the film Les hommes debout, which focuses on a neighborhood of Lyon that is under renovation (Gerland) and the memory associated with it. However, the authors are less concerned with considering it as a document subject to sociological analysis than by recognizing it as part of an investigation that is already fully underway, the one conducted by the director in an aesthetic format. Adopting a pragmatic standpoint, they suggest following suit to the filmmaker, as it [...]